Tuesday, February 19, 2008

I'm Back!!!

My swagger is just kicking it up another level... and in honor of me and my squad... i wanna throw out a CLASSIC!!! I copped this on vinyl.... this about to be our ANTHEM soon enough!!


Tuesday, February 12, 2008

FUNNY ASS VIDEO!!!

OMG!! Them RudeBoyz is at it AGAIN!!! The funniest conversation I've had in a long ass time!!! UNSCRIPTED AS FUCK!!!

That's me on speaker.... :-)

Monday, February 11, 2008

New Gnarls Barkley!!!

First single off the upcoming Gnarls Barkley album... this song is called "Run"

Prada Does Us some good on ideas... IF YOU GOT THE MONEY!!



Prada ‘Tricks’ Teddy Bear Keychains, about US$150 each

Heart Coin Purse, about US$200 / Heart Picture Frame Keychain, about US$140 / Heart Mirror Keychain, about US$150

As V-Day is approaching, every brand out there is banging out products to celebrate this special day. Prada has released several products to capture your heart, from cute cuddly Prada ‘Tricks’ teddy bear keychains to cute animal and heart keychains to bracelets and coin purses all in which in the red color scheme representing V-Day. I’m loving the Prada ‘Tricks’ teddy bear keychains, they’re too cute. More pics after the jump…

V Day Gift tips!!



Looks like the Fafi for M.A.C. Cosmetics line has released earlier than their expected release date of February 13th. This collection makes it just in time for Valentine’s Day, if you boys are scratching your heads on what to get your hunnie…perhaps some Fafiness? The site dedicated to this collection is setup like a bedroom, very cute - there you can check out upcoming events, videos and shop online. The products range from cosmetics to shirts and scarves to handbags and cosmetic bags, even Fafi dolls tons of varieties to choose from. Will you buy any products? If yes what?

Dr. Romanelli X Lupe "The Cool" Collection ready to drop!!


Chicago based artist Lupe Fiasco and jacket maker extraordinaire Dr. Romanelli have teamed up in a recent collection based on Lupe Fiasco's sophomore album, The Cool. The Cool collection is represented by a series of reversible jackets depicting artwork seen in Lupe's album cover art.

"Good MORNING!!"

This is a sneak peek at the video for Kanye's track "Good Morning"... oh yeah.. he RECENTLY finished shooting "Flashing Lights" so be on the lookout for THAT too!!


Thursday, February 7, 2008

Peep this knowledge!!


So this year's act labeled as the "Next Big Thing", the Cool Kids, recently had an interview which was pretty hot. Ringtone rappers? Style? the internet?
You got it!!!

The Cool Kids are hip-hop babies -- for real. Antoine “Mickey Rocks” Reed, 19, and Evan “Chuck Inglish” Ingersoll, 23, weren’t raised on classic soul or funk like many of rap’s older stars. Instead, they grew up in the suburbs of Mount Clemens, Michigan and Matteson, Illinois, respectively, on a steady diet of Nas, Jay-Z, Slick Rick, and Eric B. and Rakim. They’re more than familiar with the music that today’s “hip-hop is dead” purists yearn for. Their video for “Black Mags” is an ode to BMX bikes and rap’s golden ‘80s -- with fly girls rockin’ huge doorknockers and d-boys donning crisp kicks and Starter hats. It’s far from a gimmick though: the Chicago duo channels the carefree and energetic essence of that era rather than trying to recreate it. 2008 should see the release of an EP or full-length from these critical darlings, who Rhapsody recently tapped for a starring role in a commercial with Sara Bareilles. We reunited with the Kids in New York. Warning: Artists who don’t support downloading won’t be too happy with the interview that follows.

Rhapsody: What would you say is the most trouble you guys got into coming up?

Mickey: I was 16 on Halloween and we were driving around egging people and throwing water balloons. We had on all-black and ski masks in my friend Mike’s Dodge Intrepid. We threw eggs at this Explorer. Then the headlights came on and we were like, “Oh sh*t.” We sped off and then they start chasing us. They rammed us from behind and wouldn’t stop. I think it was this girl that went to our school’s dad and he was a known drug dealer, so he might have thought it was something else. At one point we stopped and dude hopped out the back with a baseball bat and shattered Mike’s back windshield. Then we got to a dead end somehow. I was like, “Yo, everyone might as well run ‘cause this dude is trying to kill us.” And then we heard shots. The same night the cops came to all our houses. We came back the next day. And the car was totally totaled. I was grounded for, like, ever.

Chuck, when you were young, your father made you memorize “Paid in Full”...
Chuck: My mom was upset like, “Why do you have a three year old rapping this song about money?” But my dad liked the song. My grandfather used to have me do it anytime there was a family function. I just came to love the cool songs that made me feel like I was the popular kid. It also goes into the point, what song out right now would a dad make their kid memorize? There’s not too many. It’s sad. When people ask, “Why do we make music?” It’s because there aren’t songs that [are] cool to teach your kid. Half of the time, it’s crap or inappropriate.

You guys obviously have a heavy old school-influence. How far back does your musical frame of reference go?
Chuck: His is more like the beginning of Jay-Z and Nas. Mine was more towards the end of where all those crews like the Get Fresh Crew were splitting up. It doesn’t make sense for people to think that we couldn’t know [that music]. If that’s the first thing you hear, then that’s all you know -- it’s like your language. Are people gonna say, “Hey, those kids don’t know anything about English because they weren’t around when the language was developed.” We came up on it. It wasn’t like, “Let’s do the old school thing because it’s cool.” Nobody is gonna tell Jack White he doesn’t know what’s going on when Led Zeppelin was poppin’. I’m stubborn. I don’t wanna sound futuristic. I wanna sound like [when] it started because that’s what made it such the phenomenon. Back then, they were bringing people together. It was punk kids coming to Afrika Bambaataa shows.

How do you guys feel about your “Ringtone Rap” peers, like Hurricane Chris and Soulja Boy Tell' Em?
Mickey: A lot of people give dudes like that flack because it’s like, “Oh, you’re not a true lyricist.” That stuff is fun. If it’s making the party jump and it’s a dope song, why hate on the dudes?

Chuck: Hurricane Chris can rap. I actually get mad that people throw him in that category. “A Bay Bay” was a dope song if no one knew what it meant. Bay Bay was a DJ. That was some real New Orleansbounce club that popped off. “Crank That (Soulja Boy)” was a song that was two years old.

Mickey: People are thinking these songs are for you to sit in your room while you’re reading your book and analyze. These are songs you play at a party and have a good time.

Chuck: I don’t wanna hear Talib Kweli at a party.

Mickey: I’m not trying to hear “Ether” at a party. That would make me feel weird. Their stuff is made for certain situations.

How did “Black Mags” come about?
Chuck: The dude that did the video, Joe Esquivel, he comes over and we wanted to do a little short, “How Chuck Makes Beats” video. I was just going through sound banks and I found the snare that was in there and I had just got some velocity sensitive pads, like MPC pads. I started playing on them and then I hit the bass. ... I listened to it and couldn’t stop thinking about a rap to write to it, and the first line of the song just came to me.

Mickey: He had his verse and then I was thinking about what would be ill for a hook concept. Then he started leaning toward, “Pedal down the foothill,” from “Gold and a Pager,” and then I was thinking, “Damn, that line I said in ‘1,2,’ ‘I’m on the Dyno with the black mag’ -- put that with the half you already have in there.”

How long did it take to shoot that video?
Chuck: Three days. Joe got a couple of his boys he shot skate videos with to help out. We did some shows to get $2000. Some kid that went to the same school I went to was like, “We should put these animations in there. At first, I was like, “Why?” Next thing you know, we saw the test shots for it and we were like, “Damn.”

One of the first things that stuck out about the video were how tight Mickey’s jeans were.
Chuck: We’ve heard that shit so many times. [Laughs].

Mickey: Yeah, it’s more or less a shocker because I’m black. A lot of other ethnic groups rock tight jeans. It wasn’t really anything new to me. I guess people didn’t know what to think. It’s just a weird first impression for some people. I sometimes forget that there’s a whole rest of the world that doesn’t live in a city.

Chuck: You get those people that are like, Oh, this video sucks ‘cause the dude’s pants are tight.

How hard was it to translate your strong online presence into actual airplay and shows?
Mickey: The online community is such a credible source of finding new stuff that it was kind of like our mixtape. Nowadays, a blogger is more credible than a huge hip-hop magazine.

Chuck: Before the blogs, we made sure to get all our joints to the DJs that mattered. We came through Flosstradamus. So with them having the plugs they had, other DJs would be like, “What’s that?” [DJs] were trying to beat other people to playing it. So we knew we had something. We don’t wanna be a part of the old formula. ... The music that we’re making [is] for this first “album” that is not an album. Songs that will get put on a disc, so you can either have or not have. What we’re doing right now is what we want people to know first.

Mickey: The right format to present it to the public.

Chuck: Packaging, format, how we tell you about it, all that. Everybody is like, “Aright, so when’s the album coming out?” We’re probably just going to keep leaking songs till we figure this thing out. Why not? Who cares? If we have a song and you want to hear it, you can get it. So what is the point? I’m just really rebellious toward what I can and can’t do. I can do whatever I want. If it was up to me, I’d just make CDs and put them out. You can’t sell music, man. It’s not possible. You can sell tickets to a show so you can do those songs. We’re past selling music. It’s boring. Saying, “Here, buy my CD,” is like saying, “I hate you. Just give me it. What are you going to do with my $12?”

Did you see Ghostface’s blog entry where he was mad that people didn’t buy his new album?
Chuck: It hurts to hear Ghostface say that. Artists that wanna protect their music or [say] don’t bootleg or don’t download, what are you gonna do? It’s like trying to stop everybody from doing drugs. You gonna tell somebody to not smoke weed? It’s not gonna happen. We have this Totally Flossed Out EP that we didn’t do or put together or even name that people are downloading. For a while, we tried to stop all the downloading sites. And then as you put one down, there’s another one that pops up. So it’s like that [arcade game] -- bang one head, the other one pops up. You gonna keep on doing that?

Has your label Chocolate Industries been telling you guys not to leak songs?
Chuck: It has nothing to do with the label. People might criticize us for it like, “Oh, you’re stupid. You should want to get your money.” This is why our whole generation of entertainers is so out of their mind right now. Everybody is cracked out ‘cause of that greed. If you’re good and you’re true to yourself, money will come. First of all, I didn’t know what else I would ever do.

You had no other aspirations?
Chuck: I had no other aspirations. People are like, “Are you guys gonna make a clothing line?” I would never want to be a part of a business where I had to develop clothes. I like to wear them. A fragrance line? I wear soap. The only thing we really like doing is making songs and meeting other musicians that like to make songs. There is an industry where we can all make music and live comfortably. No one understands that we’re on the brink of not having that any more because there’s nothing good left. I don’t know what happened. You got actresses making albums. There’s no way that should be happening.


I also figured I'd introduce you guys to their first single... "Black Mags"!! SICK SHIT!!

Jigga Label rumors not all tru!!

Warner Music Group chairman and former Def Jam executive Lyor Cohen has denied rumors that the company is in talks with Jay-Z to launch a new record label called the Carter Music Group. When questioned by New York Daily News columnists Rush & Molloy, Cohen expressed a desire to work with Jay again, but denied that any such talks had taken place. “I would be honored and privileged to work with him again,” Cohen explained. “Bringing Jay-Z to the Warner Music Group would be a privilege and a coup. I’d do it in a heartbeat.” Jay stepped down from his post as president and CEO of Def Jam at the end of last year, saying that he felt it was time to pursue other ventures. However, several sources have suggested that he was asking for too much money and was unable to reach an agreement with Island Def Jam chairman LA Reid for a new contract. An unidentified Def Jam exec told Rush & Molloy that they did not believe Reid would mind competing with Jay, who is still signed to the label as an artist. “Starting a record label from scratch is very difficult,” the source explained. “If Warner Music wants to do it, better them than us.”

DUDE!!! WTF is up with the LUPE SALES??!!

Alicia Keys took back the #1 spot this week, in her off-again, on-again reign, weathering each week's new additions. Ms. Keys was joined by Rock outfits The Mars Volta and Bullet For My Valentine, who held #3 and #4 respectively, after The Juno Soundtrack. Keyshia Cole gained over 17% in sales since last week, bumping Chris Brown and getting a strong surge of Interscope energy. Lupe Fiasco fell from the Top 5 overall urban artists for the first week since his release. G.O.O.D. Music crooner John Legend joins the charts with his live album, closing out the caption with a #27 spot.
Top 200 Album Sales (Top 5 Hip Hop/R&B)
Rank Artist Album This Week Total
1
Alicia Keys
As I Am
61,259
2,907,459
6
Mary J Blige
Growing Pains
47,219
1,132,462

8
Keyshia Cole
Just Like You
36,412
1,095,743

11
Chris Brown
Exclusive
33,311
1,059,331

27
John Legend
Live From Philadelphia
20,117
70,158

As predicted, a new single pushed Soulja Boy back into the mix, as the prodigy pushes for a platinum plaque by spring. The 17-year-old bumped ahead of Lupe in doing so. Birdman also climbed ahead of mainstays Jay-Z and Kanye West despite lacking the initial sales of his super-star peers.
Other Notables… Rank Artist Album This Week Total
31
Soulja Boy Souljaboytellem.com 18,899
745,968

44
Lupe Fiasco
The Cool
15,841
302,052
57
Birdman 5*Stunna 12,807 246,196
61
Jay-Z
American Gangster
12,092
965,368
63
Kanye West
Graduation
12,011
1,970,212

Next month, legend Pete Rock drops his highly anticipated New York's Finest, along with new albums by Erykah Badu, Rick Ross, Akrobatik, and many more. It's getting warmer this February, but will the charts reflect it?

Cocaine is a HELL OF A DRUG!!!

Amy Winehouse's performance at The Grammys this weekend is in dire jeopardy after a visit from London Police on Tuesday (Feb 5) concerning a recently leaked video in which Winehouse is seen smoking crack after taking cocaine, ecstasy pills and Valium. Reports claim authorities questioned the troubled singer for two hours on the matter.
Even without yesterday's interrogation, Winehouse (who has been nominated for six awards including "Record of the Year" and "Song of the Year" for "Rehab" and "Best Album" for Back to Black) was still facing obstacles vying to attend the Grammys. U.S. officials still have not granted the songstress a Visa because of a previous drug charge.
Winehouse is currently seeking medical help at a local rehabilitation center, possibly in the wake of the leaked incriminating video.

Olympic adidas!!!


To commemorate the 2008 Olympics... adidas is dropping some sexy ass sneaks with the FRESH ASS COLORWAY!!! These shits is CRAZY!! (Also available in a white version)